They didn’t guide the composition so much as they had a lot of notes on the overall feel. LD: How closely did you work with the designers of the attraction to create the score? I was ecstatic to have an opportunity not only to score for such a legendary creation (I’m a big fan of Marvel) but also to compose for a full 70 piece orchestra. I think I opened the e-mail and started composing instantly. PS: I’m not entirely sure but I’m grateful haha! Universal Orlando asked me and I said yes right away. LD: How did you initially get involved with the project? When it came to the queue overture however, I composed several reappearing themes (I’d almost say leitmotif) to take you through that kind of childlike innocent wonder, the heroics, the military aspect of the story, the technological/sci-fi element, that kind of espionage chase feel, even a bit of the lonely melancholia the Hulk is kind of famous for. I wanted melodies that struck you in the chest as if the Hulk was swinging a bus into a wall. Conceptually, I wanted rumbling drum rhythms that could capture the Hulk’s raw muscular aggression and deep growling brass instruments that mimicked that kind of throaty roar. Plus, I utilized some strange angular properties to kind of emulate the hyper-chiseled squared-off way Jack Kirby would draw the Hulk. I wanted something that complimented the experience you’ll get at the theme park but also took you on the journey in its own way. PS: For me it all started with the ride and the story. LD: What was your inspiration for composing the score in the queue and ride? I was lucky enough to chat with the music master and find out his inspiration for the attraction.

You’ll also be able to jam out to a composition Patrick put together for the brand new queue.

As a rock girl, my heart melted when I heard that Patrick Stump from Fall Out Boy was creating the soundtrack for The Incredible Hulk Coaster revamp! The fan favorite attraction features an exclusive on-ride score composed by Patrick.

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